The 4 Coolest Features of the Behringer Grind: A Fun, Flexible Hybrid Synth
Love it or hate it, Behringer has become a big player in the world of affordable synths, and a new release is always exciting. The controversial manufacturer has done it again with the release of their new Grind hybrid semi-modular synthesizer. Sporting a familiar look, this desktop synthesizer combines the best of both worlds: cutting-edge digital oscillators and classic analog sound-shaping tools. But this instrument doesn’t just sit in the middle—it does it with serious flair. In this post, we’re diving into the four coolest features that make the Grind a standout. Whether you're already a modular synth enthusiast or someone dipping your toes into the synth world, the Grind offers something fun and exciting for everyone. Is the new Behringer offer a game-changer? Let’s dive in!
The 4 Coolest Features of the Behringer Grind
24 Digital Oscillators
Analog Ladder Filter for Classic Tone Shaping
Semi-Modular Flexibility with a 34-Point Patchbay
Poly Chain Mode for Up to 16 Voices
Alternatives to the Behringer Grind Synthesizer
Is the Behringer Grind Another Ripoff or an Innovation?
Is the Behringer Grind Right for You?
Disclosure: This blog contains affiliate links, which means Internet Tattoo may receive a commission if you purchase through these links at no additional cost to you.
1. 24 Digital Oscillators
Let’s start with one of the headlining features: 24 digital oscillators, which, by themselves, would already make the Grind worth looking into. But wait, it gets better! Experts have been quick to point out that 15 of those oscillators share a lot of characteristics with Mutable Instruments’ beloved Plaits module.
Now, for the uninitiated, Plaits is a macro-oscillator that achieved legendary status in the modular synth community because it can do just about everything. We’re talking virtual analog, wavetable synthesis, waveshaping, additive, FM, and even quirky stuff like speech synthesis and Karplus-Strong string synthesis. These engines cover an incredible range, from lush pads to ripping leads, percussive hits, and crunchy bassline.
Behringer, being Behringer, has given these Plaits-style engines their own unique twist, throwing in 9 extra algorithms that expand the sonic possibilities even further. Whether you're into DX7-style FM sounds or TR-303 bassline emulations, the Grind’s oscillator section has something to offer for everyone. That’s a ton of variety at your fingertips for one affordable box!
These oscillators are perfect for those who want to dive deep into sound design without the hassle of racking up thousands of dollars on individual Eurorack modules. The diversity in oscillator types is nothing short of staggering. You can go from fat, growling analog-style basslines to glitchy, granular textures within seconds—and all this magic happens within one synth.
This makes the Grind a dream come true for experimental producers and sound designers who need a variety of textures but don’t want to break the bank. Whether you’re creating ethereal pads or alien soundscapes, these oscillators deliver.
2. Analog Ladder Filter for Classic Tone Shaping
Now, on to the analog side of things: Every great hybrid synth needs a killer filter, and the Grind doesn’t disappoint. Behringer borrowed from the classics for this one, giving the Grind a 24dB Moog-style ladder filter. For those of you who don’t know, the Moog ladder filter is legendary in the synth world for its smooth, warm, and musical quality.
This filter gives you the ability to shape your sound with precision, making it easy to dial in anything from fat, resonant basslines to crisp, piercing leads. You’ve also got a lowpass and highpass option, so whether you’re cutting away the high-end to create deep, dark subs or dialing out the lows for more focused highs, this filter is a powerful tool for shaping your sound.
What makes this ladder filter really special is how it interacts with the digital oscillators. Digital oscillators can sometimes be harsh or cold, but running them through an analog filter adds warmth and character that balances things out perfectly. It’s like getting the best of both worlds—precise digital sound generation with analog warmth and richness.
And let’s not forget the resonance control! Crank it up to push the filter into self-oscillation, and you’re in instant acid bassline territory. The combination of the TR-303 emulation from the oscillator section and the resonant ladder filter means that the Grind is a natural fit for those deep, squelchy acid basslines that every producer loves.
3. Semi-Modular Flexibility with a 34-Point Patchbay
Okay, so we’ve covered the digital oscillators and the analog filter, but here’s where things get really exciting for the modular heads: The Grind is semi-modular. That’s right—you can patch it up to your heart’s content using the 34-point patchbay.
This makes the Grind a gateway drug into the world of modular synthesis. The semi-modular design means you can dive into patching and exploring without needing to buy additional Eurorack modules. The default signal path works without needing any patch cables, so it’s perfect for beginners. But once you’re ready to start experimenting, the patchbay opens up a whole world of possibilities.
Want to route the LFO into the filter cutoff for some wobbly bass action? Easy. Want to sync the arpeggiator to your modular system? No problem. The flexibility here is fantastic, allowing you to create complex sound designs by modulating multiple parameters.
And because it’s Eurorack compatible, the Grind can be integrated into your existing modular rig if you already have one. This makes it a perfect companion for those who are into modular synthesis but don’t want to spend thousands on modules. With 34 patch points, you can modulate parameters like timbre, harmonics, and morph in creative and unexpected ways.
This modular flexibility means that the Grind can grow with you as your skills and synth collection expand. It’s both a standalone instrument and a modular component, and that versatility is part of what makes it so exciting.
4. Poly Chain Mode for Up to 16 Voices
Here’s another mind-blowing feature for a synth (especially at this price poin)t: Poly Chain mode. While the Grind is a monophonic synth on its own, you can link up to 16 units together to create a 16-voice polyphonic synth. This opens up a whole new world of possibilities, especially for those who crave rich, complex polyphonic textures.
Have you always wanted to buy the same synth 16 times? This must feel liek your dreams are coming true!
Imagine building a massive 16-voice polyphonic monster synth by chaining multiple Grinds together. It’s not only a cost-effective way to achieve polyphony, but it also lets you experiment with layering sounds across multiple voices. Whether you’re creating lush pad sounds or stacking oscillators for thick basslines, Poly Chain mode turns the Grind into a heavyweight synth.
And don’t worry about connecting everything—MIDI In, Out, and Thru ports, along with USB MIDI, make it easy to integrate the Grind into your existing setup. Whether you’re using a DAW or playing live, the Grind’s connectivity options are more than up to the task.
For synth enthusiasts who want to scale their sound without scaling their budget, Poly Chain mode is a fantastic feature. It’s not something you see on many synths in this price range, which makes it another reason the Grind is such a great deal.
Alternatives to the Behringer Grind Synthesizer
If you're considering alternatives to the Behringer Grind, there are several synths on the market that offer comparable features or different flavors of semi-modular goodness, depending on your creative needs. Each of these alternatives has its own unique strengths, and while none replicate the hybrid magic of the Grind exactly, they offer different creative options for both beginners and advanced users interested in modular synthesis.
Moog Mother-32
Moog Mother-32 is a natural contender if you’re intrigued by the Grind's semi-modular design and analog filter. The Mother-32 is known for its iconic Moog ladder filter, powerful sequencer, and extensive patching options. While it doesn’t have the hybrid digital/analog structure of the Grind, it’s beloved for its classic Moog sound and hands-on playability—ideal if you want to dive deeper into a more traditional analog territory.
Arturia MicroFreak
Arturia MicroFreak is another excellent alternative, especially if you’re into the hybrid oscillator setup of the Grind. The MicroFreak brings a variety of digital oscillator modes, including some similar to the same Plaits engine that inspired the Grind. Its pressure-sensitive keyboard and quirky, character-rich sound make it a standout choice for those who love unpredictability and versatility in sound design.
Korg Volca Modular
Korg Volca Modular is a great entry point if you want to experience modular synthesis in a compact and affordable package. While not as feature-rich as the Grind, the Volca Modular provides an accessible introduction to patch-based sound manipulation. It’s especially appealing if you're curious about experimenting with West Coast-style synthesis, with its unconventional approach to creating timbres.
Behringer Neutron
Behringer Neutron deserves a mention too, as it shares Behringer's semi-modular DNA, along with other desktop synths like the Crave and Edge that are part of a similar product line. Unlike the Grind, the Neutron is fully analog, offering dual oscillators, a multimode filter, and a huge range of patching possibilities. It’s a powerful and affordable choice if you want an analog path without the digital oscillator features of the Grind. The Neutron also pairs well with other Eurorack gear, giving you flexibility in integrating it into a larger modular setup.
Cre8audio East Beast
Cre8audio East Beast also offers an interesting alternative if you’re looking for a straightforward and fun semi-modular synth. It features an analog oscillator and a filter that recalls the classic Moog sound, but with a modern twist. With a user-friendly sequencer and some creative modulation options, it’s another fantastic choice for those diving into semi-modular synths without a huge price tag.
Is the Behringer Grind Another Ripoff or an Innovation?
The discussion around Behringer’s synths often centers on whether they are simply ripping off iconic designs from other companies or genuinely creating something new. In the case of the Grind, there are arguments on both sides. On one hand, Behringer’s use of the Mutable Instruments Plaits engines, an open-source module that has been loved by modular enthusiasts, could be seen as just another instance of taking an existing idea and repackaging it at a lower cost. The ladder filter used in the Grind also bears a striking resemblance to Moog's classic design, which has led some critics to argue that Behringer is once again leveraging the legacy of a well-established brand without offering much innovation of their own.
However, there are also points to consider that support the idea of the Grind being a genuine innovation. Unlike a direct clone, the Grind integrates both digital and analog elements, merging the Plaits-inspired multi-engine oscillator with an analog Moog-style filter. This combination of technologies offers a new way to experience these classic features and makes it accessible at a price point that is more attainable for many musicians. The 24 different oscillators, including nine newly introduced algorithms, extend beyond what the original Plaits module offered, giving users additional creative options and something that is more than a simple clone.
Furthermore, the semi-modular nature and the 34-point patchbay make the Grind a flexible tool that can work as part of a larger modular setup, or as a standalone unit for those starting out. The Poly Chain mode that allows chaining up to 16 units for polyphony is another element that sets the Grind apart from the gear it draws inspiration from, adding a layer of scalability and experimentation. In this light, Behringer could be seen as democratizing modular synthesis, making traditionally high-cost features more accessible, while also introducing creative new ways to use well-known components. Ultimately, whether you see the Grind as a ripoff or an innovation likely depends on your perspective on accessibility, originality, and the evolution of synth technology.
Is the Behringer Grind Right for You?
The Behringer Grind could be the perfect synth for you if you're looking for a versatile, affordable hybrid that combines digital oscillators with analog warmth. Its 24 digital oscillators, including the ones similar to the Mutable Instruments Plaits engines, offer an extensive range of sound possibilities, from ethereal pads to aggressive leads. The 34-point patchbay and semi-modular design give you the flexibility to explore modular synthesis, even if you’re just getting started, and the Poly Chain mode allows for expanding to polyphonic use if you decide to scale up.
However, the Grind might not be ideal if you prioritize originality, as it borrows heavily from established designs like those from Mutable Instruments and Moog. Its monophonic nature may also be limiting for more complex polyphonic compositions unless you invest in multiple units. If you’re looking for something completely new and distinct from its inspirations, you might consider other options in the market.
Ultimately, the Grind offers a lot of value for the price, but it comes down to one thing: will you make better music with it?
Disclosure: This blog contains affiliate links, which means Internet Tattoo may receive a commission if you purchase through these links at no additional cost to you.