Here’s Why the OP-1 is So Expensive (And Why It's Worth the Price in 2024)
Teenage Engineering’s OP-1 is a piece of gear that instantly sparked debate when it was first released back in 2011. Even today, you either think, "Wow, this thing looks incredible; I need it," or you stare at the price tag and wonder, "Why would anyone pay this much when you could get a 'real' synth for a fraction of the price?" We live in a world where $50 synth plugins sound as good—if not better—than the best vintage keyboards, and compact, mind-blowing instruments are released on a monthly basis. Yet, the OP-1 remains the conversation piece of any setup—and not just because of its minimalist design. Today, we're diving deep into why the OP-1 costs so much and whether you should consider handing over your hard-earned cash for this device. Is the OP-1 worth it, or has the world gone mad? Let's investigate!
Here’s Why the OP-1 is So Expensive (And If It’s Worth It in 2024)
Why Is It So Expenive: The OP-1 Features
Who's Going to Get the Most Out of the OP-1?
OP-1 vs OP-1 Field: What’s the Difference?
The Competition in 2024: Fast, Cheap and Out of Control
In Use: My Life With the OP-1
The Verdict: Is the OP-1 Worth It?
Disclosure: This blog contains affiliate links, which means Internet Tattoo may receive a commission if you purchase through these links at no additional cost to you.
a) Premium Design and Build Quality
Let's address the design first, because honestly, half the reason people fall in love with the OP-1 is that it looks like something you'd find in a futuristic art gallery. In fact, the first time I got my hands on Teenage Engineering’s creation was at the MoMA Design Store in SoHo, where most tourists probably had no idea what they were looking at.
Let's face it: the OP-1 is an absolute beauty. But it's not just skin-deep. It has a full aluminum body that's sturdy enough to survive a few bumps. It doesn't feel like a cheap plastic toy, and that's part of what you're paying for—durability and the sense that you're holding something crafted, not mass-produced.
The buttons? Perfectly placed. The OLED screen? Crisp and colorful. It's like if Apple and IKEA had a love child that was really into synths—which is probably why the Swedish furniture store collaborated with Teenage Engineering on a line of products a few years ago.
b) The "Swiss Army Knife" of Music Gear
The OP-1 isn't just a synth. It's also a drum machine, a sampler, a recorder, a sequencer, and probably something else I'm forgetting because, honestly, there's a lot packed into this tiny machine.
Basically, the OP-1 is like the overachiever of the music production world. You could grab three or four different pieces of gear to cover everything this thing does—or you could just have the OP-1. It's an all-in-one beast, and that's part of why it's priced like one, too.
You could probably do everything the OP-1 does with a cheap copy of Ableton Live installed on your laptop. In fact, you could do way more. We're quick to forget that the OP-1 runs on its own computer, though. It's a reliable device, just like an iPhone or the MacBook your DAW runs on.
In essence, the OP-1 is a compact and portable micro-computer. It probably won't fit in your pocket, but it's a lot more compact than many so-called "compact" synths out there. You can make music on a plane, on the beach, or in your bed at 3 AM when creativity hits. (Your partner will probably hate the 3 AM bed thing—don't ask me how I know.)
Also, keep in mind that the top-notch phone you might buy for the same amount will be worthless in 2 years, but the original OP-1 people bought 10 years ago still has a decent resell value today.
It’s not exactly an investment, but you could spend your money dumber ways.
c) Interface and Operating System
Speaking of electronics, don't underestimate the OP-1's interface and operating system. I know it's not as complex as a lot of apps out there, but it's still an inventive piece of software that's fun and inspiring to navigate—that's not nothing.
If you're the kind of person who likes a traditional workflow, the OP-1 might feel like a bit of a mind-bender. Its tape-recording workflow is more of an experience than just a feature. You're not just dialing in sounds and hitting record—you're performing the process. It pushes you to construct arrangements differently, which is probably half the reason so many electronic music producers swear by it.
The interface is playful, almost toy-like, yet it makes you rethink how you approach music. Some people dig that; others, not so much. But that creative edge is worth the price tag for a lot of folks who've hit a wall with the usual gear.
The OS also gets regular updates that sometimes include new features and modules, which is pretty cool.
2. Who's Going to Get the Most Out of the OP-1?
If you're constantly on the go, making music while traveling, and you want a piece of gear that can keep up with you, the OP-1 is probably going to be your new best friend. It's small, powerful, and can basically handle your entire creative process without the need for a DAW or even a computer.
Or, if you're someone who likes to experiment and take creative risks, the OP-1 is designed to make you think outside the box. It doesn't follow the rules of traditional synths, and that's the point. It's for artists who want to break out of the norm and try something new.
But let's say you're a hardcore studio producer. You've got a full rig with keyboards, synthesizers, drum machines, and the works. You're probably not going to need the OP-1. It's more of a fun, quirky sidekick than the main studio controller.
The original OP-1 was released in 2011.
If you’re considering an OP-1 in 2024, you’ve probably come across the OP-1 Field, the newer version of the original OP-1. While the first edition has been officially discontinued, it's still widely available on the used market and often holds its value remarkably well. However, with the release of the OP-1 Field, it's worth knowing how the two models compare before making your decision.
The original OP-1, which debuted in 2011, was groundbreaking for its time and remains iconic. It’s known for its unique design, portability, and all-in-one functionality, combining a synthesizer, sampler, drum machine, and sequencer into one sleek package. Over a decade later, it’s still highly sought after, with some second-hand units selling close to or even above the original retail price. This speaks to its lasting appeal, but buyers should be mindful of wear and tear on older units since it’s no longer officially supported.
The OP-1 Field was released in 2023.
The OP-1 Field, on the other hand, is more than just a refresh—it’s a significant upgrade. One of the standout improvements is the shift to 32-bit floating point audio, compared to the original’s 16-bit, offering much higher audio quality for modern producers. The OP-1 Field also comes with more memory for storing samples and running complex projects, making it more flexible for creative workflows. Another key enhancement is the addition of stereo input and output, which addresses one of the biggest limitations of the original and brings the OP-1 Field in line with contemporary music production standards.
Aesthetically, the OP-1 Field is slimmer, with a more polished aluminum body and a slightly refined layout. The screen has been updated to be brighter and clearer, and the encoders now have touch sensitivity, making the overall experience even smoother. Plus, with the inclusion of Bluetooth support, you can now use the OP-1 Field for wireless MIDI, which is a game-changer for those integrating it into a modern studio setup or live performance environment.
Ultimately, whether you go for the original OP-1 or the OP-1 Field depends on your needs and budget. The original OP-1 remains a powerful tool and may be more affordable on the used market. However, if you're looking for better audio quality, added features like stereo I/O and Bluetooth, and future-proof functionality, the OP-1 Field offers plenty of reasons to justify the higher price. Both models have their strengths, but the OP-1 Field clearly builds on the legacy with modern enhancements that might make it the better long-term investment.
4. The Competition in 2024: Fast, Cheap and Out of Control
You might be wondering, "What about other synths that offer similar features for less?" And you'd be right—there are several alternatives that cover much of the same ground. Devices like the Teenage Engineering OP-Z, Korg Volca series, Novation Circuit Tracks, and Roland MC-101 are great options for those looking for budget-friendly functionality.
The OP-Z, also from Teenage Engineering, packs a powerful punch as a sequencer, synthesizer, and sampler in a compact form. While it shares the OP-1's creative spirit, it leans more toward performance and sequencing rather than being an all-in-one tool.
The Korg Volca series—with options like the Volca Keys, Beats, or FM2—offers a modular approach. Each Volca is affordable, portable, and intuitive, but focuses on just one aspect of music production. To match the OP-1’s versatility, you’d likely need several of them.
Similarly, the Novation Circuit Tracks and Roland MC-101 grooveboxes combine synth engines, drum machines, and sequencing in a single device. These are user-friendly, portable, and much cheaper than the OP-1, making them solid choices for beginners or those on a budget.
If you're into hardware with creative constraints, the Elektron Digitakt is another interesting alternative. It has a steeper learning curve, but its deep functionality makes it a favorite among electronic musicians looking for something unique.
Still, none of these alternatives match the OP-1’s all-in-one simplicity. While you could build a setup using several of these devices, the OP-1’s seamless workflow, portability, and intuitive design offer a unique creative experience that’s hard to replicate. For some, that integrated, minimalist approach is worth the extra cost.
5. In Use: My Life With the OP-1
Believe it or not, I personally purchased the OP-1 twice. I bought it once around the time it came out and used it moderately. I'll admit I got caught up in the hype and didn't really get into its quirky workflow.
It didn't really suit the style of music I made at the time, so it became this fun paperweight on my studio desk. My friends would pick it up when they visited, plunk away for a few minutes, and then we'd get down to business using VST plugins and analog synths.
Against all odds, I purchased the OP-1 again recently. I found a cheap one on the used market, so I took it home. In the past decade, I've moved away from more linear genres like indie pop and rock and started producing more beats and working with samples. This time around, I've been using it a lot more!
I use the OP-1 for all sorts of things: sample manipulation, crazy sound design, drum loops, synth arpeggios—the list goes on. There's something about it that's just awesome to me. It forces me to think differently. I generally work in the box, so I don't need a serious groovebox or a powerful sampler. I tend to prefer hardware that can add a bit of randomness and spontaneity to my workflow, and Teenage Engineering's products do just that.
Would I recommend the OP-1? If you're considering it, I'd suggest borrowing one or even renting one for a few days to see if it agrees with you. Just don't expect it to be this magical machine that will unlock the next level of your creativity.
At the end of the day, it's just a groovebox.
6. The Verdict: Is the OP-1 Worth It?
The OP-1 is both a marvel and a challenge. It's a compact, beautifully designed piece of equipment that offers a level of creative freedom you won't find elsewhere. Its all-in-one design—synthesizer, sampler, drum machine, and recorder—makes it incredibly versatile and portable, meaning you can take it just about anywhere and create music on the go. For many, the OP-1 is an inspiring tool that breaks the mold of traditional music production and encourages a more playful, experimental workflow.
But here's the trade-off: it's expensive. There's no way around that. You're paying a premium not just for the features but for the seamless integration, the aesthetic, and the experience that Teenage Engineering has crafted. If you value portability, simplicity, and a unified device that lets you dive into music creation without needing a lot of external gear, the OP-1 is hard to beat.
Another way of seeing it is this: You can find an OP-1 for a price similar to a premium phone. The phone might have more features, but it’ll be worthless in 2 years. On the other hand, the OP-1 is an instrument you will probably still use in 20 years, and the resell value on the used market is way better than any high-tech device you can find out there. I wouldn’t call the OP-1 an “investment,” but I bet you’ve spent as much money on much dumber stuff in the past couple of years.
However, if you're more concerned with raw functionality and bang for your buck, it might not be the right choice for you. There are many alternatives on the market—like the Korg Volca series, Novation Circuit Tracks, or even the Akai MPC One—that offer powerful music production capabilities at a much lower price point. These devices may require a bit more assembly (both literally and in terms of workflow), but they can absolutely deliver what you need if you're willing to trade some of the OP-1's seamless integration for flexibility and cost savings.
Ultimately, the OP-1 isn't for everyone, and that's okay. If you're someone who needs a single, beautifully designed machine that packs a lot of punch and prioritizes ease of use, it's worth considering. But if you're on a budget or prefer a modular setup where you can swap out different pieces of gear as needed, there are plenty of more affordable and equally powerful options out there.
It all comes down to this: Do you think you would use the OP-1 to make beautiful music you couldn't produce any other way?
If the answer is yes, then it's worth considering seriously.
FAQs
1. Why is the OP-1 so expensive?
The OP-1 is expensive due to its premium design, versatile all-in-one features (synthesizer, sampler, drum machine, and sequencer), and boutique appeal. It’s made from high-quality materials, is ultra-portable, and receives continuous firmware updates, all of which contribute to its high price tag.
2. Is the OP-1 worth the money?
The OP-1 is worth the money if you value portability, creative workflows, and a unique design. It’s ideal for on-the-go producers and experimental musicians who need a versatile tool in a compact form. However, if you're on a budget or need a deep, traditional synthesizer, other options might offer better value.
3. What are some alternatives to the OP-1?
Alternatives to the OP-1 include Teenage Engineering’s OP-Z, the Korg Volca series, and the Novation Circuit. These options are more affordable and offer specific features similar to the OP-1, but none provide the same all-in-one experience.
4. How does the OP-1 compare to the OP-Z?
The OP-1 is larger, more versatile, and has a more traditional interface with a built-in screen, making it great for solo production. The OP-Z, on the other hand, is even more compact and focuses more on sequencing and performance. The OP-1 is better for studio use, while the OP-Z shines in live settings.
5. Will the OP-1 drop in price?
The OP-1 is unlikely to drop significantly in price due to its boutique nature and ongoing popularity. Even used OP-1s often sell close to retail price. Teenage Engineering occasionally restocks it, but the demand usually keeps prices stable.
Disclosure: This blog contains affiliate links, which means Internet Tattoo may receive a commission if you purchase through these links at no additional cost to you.